Warsaw, Poland, 1958
Lives and works between Warsaw, Poland and Oliva, Valencia, Spain
Mirosław Bałka imbues physical objects and the spaces they occupy with subtle layers of metaphor and memory, seeking to express how history inevitably shapes and governs the present. Working primarily with abstract sculpture (although also frequently employing formats such as video, drawing and installation), Bałka has developed a highly personal artistic idiom that incorporates an eclectic range of materials, often symbolic of his personal, familial or collective Polish heritage. Known as a “counter-memorialist” and often basing the scale of his work on the measurements and proportions of the human body, Bałka uses his practice to give voice to the ways the personal and the universal speak not only to each other, but also through each other.
Bałka’s work forms part of major institutional collections such as the Tate Modern (London), Malmö Konsthall, MOCA (Los Angeles), SFMOMA (San Francisco), Moderna Museet (Stockholm), MNCARS Museo Nacional Centro de Arte Reina Sofía (Madrid), MoMA (New York), The Art Institute (Chicago), EMST The National Museum of Contemporary Art (Athens), the Center of Contemporary Art (Warsaw), the Museu Serralves (Porto) and elsewhere. He has has exhibited widely and has participated in numerous international exhibitions such as the Venice Biennale (1990, 1993, 2003, 2003, 2005, 2013), the Sydney Biennial (1992, 2006), the Santa Fe Biennial (2006), the Liverpool Biennial (1999), the São Paulo Biennial (1998) and documenta IX (1992).